Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] price

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay to the unrest? Katniss. And what's worse, President Snow has managed to get clear that no one else is safe either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one of the most brought up books in the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended like a trilogy. Did it genuinely end the way you planned it from your beginning?

A: Very much so. While I did not know every detail, of course, the arc from the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant through the entire writing process.

Q: We understand you worked around the initial screenplay for any film being depending on The Hunger Games. What could be the biggest distinction between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. When you will find yourself adapting a novel into a two-hour movie you can't take everything with you. The story has to get condensed to suit the brand new form. Then you have the question of how best to consider the sunday paper told inside the first person and present tense and transform it in a satisfying dramatic experience. In the novel, you never leave Katniss for any second and are privy to all of her thoughts so you need a way to dramatize her inner world and to produce it easy for other characters to exist beyond her company. Finally, there's the challenge of how you can present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A large amount of the situation is acceptable on the page that couldn't survive on a screen. But how certain moments are depicted could eventually be within the director's hands.

Q: Are you capable of consider future projects while working on The Hunger Games, or are you immersed in the world you happen to be currently creating so fully who's is simply too hard to take into consideration new ideas?

A: We've several seeds of ideas boating inside my head but--given that much of my focus continues to be on The Hunger Games--it is going to be awhile before one fully emerges i can begin to develop it.

Q: The Hunger Games is an annual televised event where one boy the other girl from each of the twelve districts is forced to participate inside a fight-to-the-death on live TV. What do you imagine the benefit of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an fascination with seeing who wins. The contestants are usually unknown, which means they are relatable. Sometimes they have very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I've found very disturbing. There's also the possibility for desensitizing the audience, to ensure that once they see real tragedy playing out on, say, the news, it doesn't hold the impact it should.

Q: Should you were made to compete inside Hunger Games, so what can you think your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope would be to acquire hold of a rapier if there was clearly one available. But the reality is I'd probably get in regards to a four in Training.

Q: What do you hope readers can come away with once they read The Hunger Games trilogy?

A: Questions about how exactly elements in the books may be relevant within their own lives. And, if they are disturbing, what you might do about them.

Q: What were some of the favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but on this occasion it can be for world control. While it is a clever twist around the original plot, this means that there is less focus about the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life into a less vibrant Katniss by showing her despair both at those she feels responsible for killing and possibly at her own motives and choices. This is definitely an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels as well as the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are well evidenced in his voice, which goes from rage to puzzlement to a unsure return to sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and unique challenges of every with the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.